Victoria Monét
Victoria Monét Opens Up the World of Frequency of Love
A 22-track album, an ambitious guest list and a new foundation make Monét’s latest release a broader statement of intent.

Victoria Monét released Frequency of Love on October 2 through Lovett Music and RCA Records. Across 22 tracks, the album brings together guests including SZA, Bruno Mars, Leon Thomas, Bryson Tiller, Lucky Daye, Chlöe and Monét’s daughter, Hazel. It is a substantial guest list for a project whose title promises connection.
Rated R&B reports that Monét and Camper executive-produced the album. That credit is worth keeping in view alongside the features: an album with this many voices still needs an organizing perspective. The central question is how those contributions serve the world the lead artist is building.
The track list offers an early map. SZA appears on “See You in My Dreams,” Mars on “That’s Why I Love You,” and Leon Thomas and Hazel on “You Mean the World to Me.” Interludes are distributed through the record, giving the sequencing room to shape the movement between songs. Those details establish the architecture; listening will determine how fully it holds together.
The release also extends beyond the recording. Sony’s announcement introduced the Frequency of Love Foundation, a youth-focused initiative centered on food, agriculture, culinary education and wellness. It also announced a tour scheduled to begin October 27 in Raleigh and finish December 17 in San Francisco.
Those are separate commitments with different measures of success. A record has to reward listening. A tour has to become a live experience. A foundation eventually has to show what its programs deliver. Sharing a name connects the projects, but it should not collapse them into one promotional claim.
What makes this moment interesting is the breadth of Monét’s proposed world. Family appears in the recording credits. Collaboration shapes the lineup. Education and food appear in the accompanying initiative. Love, as a framing idea, has room to mean more than romance here.
The challenge of a release this expansive is focus. Twenty-two tracks create space for range, but they also ask for a listener’s time. The most revealing response will come after the first pass, when favorite moments begin to form a relationship with the album around them. Monét has opened several doors into this era. The music is where those entrances need to lead.